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Chudamani Clowes
The Deer Park Coral - The Great Barrier Reef II, 2021The two oil paintings are of a coral scene under the oceans.The naming of the paintings refers to the fact that the colonial British named coral after deer and stag found in the English countryside. The coral in the paintings glisten like jewels in an under water scene. The paint swirls and curls hugging contours of coral bed. There are electric colours that are vibrant with apprehension. The depths and crevices are embedded with pockets of emeralds and encrusted with diamond like incantations. I wanted to create a cacophony of light and colour. It is a world full of confusion and chaos. This is a forest under the sea. The coral send out protrusions that have an innate fight for survival in the oceans depths.
Chudamani Clowes
Mixed Media on Canvas200 x 170 cm
78 3/4 x 66 7/8 in$ 6,500.00 -
Chudamani Clowes
The Deer Park Coral - The Great Barrier Reef 1, 2021I was fascinated by the coincidence of having my studio based on land by Horatio Nelson who had deer roaming the very site I was painting on. The corals that inhabit our oceans are five hundred million years old. Their biological attributes are incredible to have aided their survival. They show a fantastical range of abilities to survive. They can recognise each other and can reform once they have been separated or severed. They are able to colonise and thrive. I am drawing analogous comparisons with our selves and our growing predicament with migration and climate change.
Chudamani Clowes
Mixed Media on Canvas200 x 170 cm
78 3/4 x 66 7/8 in$ 6,500.00 -
Yuwantha Yasas Silva
Rati II, 2021In the medieval period of India, the art works of the Mughal and Rajput style of miniature painting have a feeling of prosperity and delicate beauty, blended with sublime inner feelings and emotions. The Pahari style of painting emerged as the result of the marriage between the folk art of the hills, with the Mughal technique, these beautiful paintings were predominantly found in the regions of Western India and the Himalayan foothills. To give form to their expressions, Bhanudatta’s Rasamanjari 15th century love poem was one of the most popular sources of inspiration. Miniature Paintings on Rasamanjari inspired me to synthesize the sense and flavour of Kama-rati.
Yuwantha YasasAcrylic on Canvas122 x 122 cm
48 1/8 x 48 1/8 in -
Yuwantha Yasas Silva
Rati I, 2021Rasa is the nature of a particular sentiment or state of mind aroused by an art form, as described in ancient Sanskrit scriptures. Sringar Rasa in particular has a strong element of sexual passion which does not exist in the other eight Rasas. When brought to the highest climate through love and devotion, it is transformed into Bhakti Rasa, the expression of divine love. And it is this very same transformation that is evoked by my new series , to achieve this I lived and studied in India in the Holy city of Banaras, where I came in contact with the most relevant art works, museums and sacred places.
Yuwantha Yasas
Acrylic and Oil on Canvas122 x 122 cm
48 1/8 x 48 1/8 in$ 2,000.00 -
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Yuwantha Yasas Silva
Cloud and Vine , 2021Together with a fervent dedication for painting, it has now crystallized into a unique style of painting, merging the ancient and the contemporary, together with elemental cosmological and philosophical Indian thought, emotions and principles. New series visually manifests in my canvases and prints poetic images where the veil of the temporal nature of the moment, materializes into a timeless event beyond time, space, birth and death.
Yuwantha YasasAcrylic on Canvas91 x 122 cm
35 7/8 x 48 1/8 in -
Hashan Cooray
Untitled 09, 2021The world is a knife. It takes its pound of flesh from each of us: slicing, carving, dissecting. From the moment we enter this world, mewling, we are already on the butcher's block.
Hashan CoorayMixed Media on Paper80 x 55 cm
31 1/2 x 21 5/8 inLKR 75,000.00 -
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CATALOGUE #31: New Works
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