In the four months leading up to July 9 toppling of Sri Lanka’s former president Gotabaya Rajapaksa, a protest village formed in Colombo, occupying the capital city’s oceanside park Galle Face Green. Called Gota Go Gama (GGG), a mashup of Sinhala and English words meaning “Gotabaya Go Village,” it became the main gathering site for aragalaya, or the struggle. A space of national imagining, GGG has been shaped by the contributions of artists expressing their frustrations and aspirations as part of a peaceful movement of citizens voicing their dissent.
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