ARTIST PROFILE | SANDATHARAKA ABEYSINGHE

SANDATHARAKA ABEYSINGHE

Sandatharaka Abeysinghe (b. 1994, Kandy. Lives in Ampitigoda and works in Athurugiriya) delves into the intricate relationship between nature and the human world, often reflecting on the potential for harmonious coexistence and mutual appreciation in his work. Abeysinghe’s practice is deeply influenced by the rich folklore and rural traditions of his native culture. His work poignantly captures the essence of rural life amidst the relentless advance of modern urbanisation.

 

 

 

 

 I usually see everything as a shape or colour.  It might be a perception I need to change, but the way I have reconciled my practice is that a painting to me is something that ends on a wall, and therefore it needs to be beautiful.

My day usually starts at nine in the morning. It is usually spent working on my paintings. Except for the breaks I take to prepare meals, I usually work throughout the day well into midnight. 

 

 
Take us through the process behind your work.

I begin with a small sketch, then recreate it in watercolours to determine the colour palette I want to work with and gauge the colours I will use for the final piece. I also use Photoshop to plan the layout of the work and play with the arrangement of plants and flowers. I need to have a very clear idea about the painting I want to create before I start working. It needs to have a direction. 

I am drawn to the traditions and history that come along with the practice and medium of painting. I find myself belonging to this conversation, and that I am part of the world which was inhabited by some of these legendary masters.