Stockroom

  • Our Stockroom features works from our represented artists and artists the gallery has collaborated with via our projects. This catalogue format allows you to browse works from our inventory that will be updated monthly.

    • Manaram Gamage Figure 56, 2025 Acrylic on Canvas 42 x 30 cm 16 1/2 x 11 3/4 in
      Manaram Gamage
      Figure 56, 2025
      Acrylic on Canvas
      42 x 30 cm
      16 1/2 x 11 3/4 in
    • Manaram Gamage Figure 62, 2025 Acrylic on Canvas 42 x 30 cm 16 1/2 x 11 3/4 in
      Manaram Gamage
      Figure 62, 2025
      Acrylic on Canvas
      42 x 30 cm
      16 1/2 x 11 3/4 in
    • Manaram Gamage Figure 58, 2025 Acrylic on Canvas 42 x 30 cm 16 1/2 x 11 3/4 in
      Manaram Gamage
      Figure 58, 2025
      Acrylic on Canvas
      42 x 30 cm
      16 1/2 x 11 3/4 in
    • Manaram Gamage Figure 60, 2025 Acrylic on Canvas 42 x 30 cm 16 1/2 x 11 3/4 in
      Manaram Gamage
      Figure 60, 2025
      Acrylic on Canvas
      42 x 30 cm
      16 1/2 x 11 3/4 in
    • Manaram Gamage Figure 61, 2025 Acrylic on Canvas 42 x 30 cm 16 1/2 x 11 3/4 in
      Manaram Gamage
      Figure 61, 2025
      Acrylic on Canvas
      42 x 30 cm
      16 1/2 x 11 3/4 in
    • Manaram Gamage Figure 63, 2025 Acrylic on Canvas 42 x 30 cm 16 1/2 x 11 3/4 in
      Manaram Gamage
      Figure 63, 2025
      Acrylic on Canvas
      42 x 30 cm
      16 1/2 x 11 3/4 in
    • Manaram Gamage Figure 59, 2025 Acrylic on Canvas 42 x 30 cm 16 1/2 x 11 3/4 in
      Manaram Gamage
      Figure 59, 2025
      Acrylic on Canvas
      42 x 30 cm
      16 1/2 x 11 3/4 in
    • Manaram Gamage Figure 57, 2025 Acrylic on Canvas 42 x 30 cm 16 1/2 x 11 3/4 in
      Manaram Gamage
      Figure 57, 2025
      Acrylic on Canvas
      42 x 30 cm
      16 1/2 x 11 3/4 in
  • Manaram Gamage, Rooted Silence 1, 2024

    Manaram Gamage

    Rooted Silence 1, 2024

    Guided by touch and instinct, Manaram Gamage traces the psychological contours of isolation through watercolour. The body becomes a site to explore the depths of the human psyche. The figure in Gamage’s sculptures — seemingly void of gender and poised in states of contemplation stands as a recurring motif, not as an idealized form but as a vessel moulded and eroded by lived experience. 

  • Firi Rahman, Across the Sea VI, 2025

    Firi Rahman

    Across the Sea VI, 2025
    Birds inhibit turbulent skies in Across the Sea, tracing paths through the unknown. These birds, thriving even in urbanity, become subdued symbols of resilience and estrangement, carrying echoes of those who journey in search of belonging. Rendered in tonal gradations that shift between shadow and light, Rahman’s compositions are a haunting meditation on movement and memory.
    • Jagath Ravindra Metaphors of the Soul 4 , 2025 Acrylic on Canvas 147 x 127 cm 57 7/8 x 50 in
      Jagath Ravindra
      Metaphors of the Soul 4 , 2025
      Acrylic on Canvas
      147 x 127 cm
      57 7/8 x 50 in
    • Jagath Ravindra Metaphors of the Soul 5, 2025 Acrylic on Canvas 147 x 127 cm 57 7/8 x 50 in
      Jagath Ravindra
      Metaphors of the Soul 5, 2025
      Acrylic on Canvas
      147 x 127 cm
      57 7/8 x 50 in
  • Hema Shironi, A Silent Journey Shared by Many, 2025

    Hema Shironi

    A Silent Journey Shared by Many, 2025
    Embroidery on Fabric
    62 x 88 cm
    24 3/8 x 34 5/8 in
  • Hema Shironi, A House That Never Cooled, 2025

    Hema Shironi

    A House That Never Cooled, 2025
     
  • Anupa Perera, White On White I, 2019

    Anupa Perera

    White On White I, 2019

    Existing in a realm far removed from the tactile reality of the surroundings, Anupa Perera’s still-life paintings are whimsically insidious while occasionally serving as snapshots of romanticised pathos. The mise-en-scène created by Perera offers insight into the peculiar lens through which the artist views the world. His practice is rooted in attempts to capture mundane items while emphasising the correlation between light, composition, and colour. However, in Perera’s work, these quotidian objects become narrative devices that subtly essay his observations of the everyday.

  • Liz Fernando, Untitled 4, 2024

    Liz Fernando

    Untitled 4, 2024
    The sepia tones of Untitled 4 compels us to reach for the past, pulling at the threads of memory with a haunting immediacy. A stoic face that is difficult to decipher peers out of the frame and  ghostly traces of colour seep through the surface, yet remain difficult to grasp. The images bear the unmistakable features of ethnographic images produced in the region during the colonial period, while simultaneously evoking the familiar warmth of frayed photographs housed within the pages of family albums. 
  • Jagath Weerasinghe, Under the Dark Sky 13, 2023

    Jagath Weerasinghe

    Under the Dark Sky 13, 2023
    The series Under the Dark Sky poignantly captures the uncertain and unsettling atmosphere that emerged in the wake of the pandemic. The works in this series reflect not only the social and economic upheavals caused by COVID-19, but also other globally destabilizing forces; the political uprising in Sri Lanka during the economic crisis and the war in Gaza. The series imagines a future in which the people’s struggle causes disruption to the status quo, disrupting existing power structures.
    • Jagath Weerasinghe Under the Dark Sky 10, 2023 Acrylic on Canvas 30 x 50 cm 11 3/4 x 19 3/4 in
      Jagath Weerasinghe
      Under the Dark Sky 10, 2023
      Acrylic on Canvas
      30 x 50 cm
      11 3/4 x 19 3/4 in
    • Jagath Weerasinghe Under the Dark Sky 12, 2023 Acrylic on Canvas 30 x 50 cm 11 3/4 x 19 3/4 in
      Jagath Weerasinghe
      Under the Dark Sky 12, 2023
      Acrylic on Canvas
      30 x 50 cm
      11 3/4 x 19 3/4 in
  • Chudamani Clowes, Aerogramme, 2022

    Chudamani Clowes

    Aerogramme, 2022
    Chudamani Clowes’s Aerogramme recalls the fragile paper that once crossed borders to keep families connected, carrying messages of love, hope and aspiration across distance. The materials recall the fragile paper that once crossed borders to keep families connected, carrying messages of love, hope and aspiration across distance. Clowes imagines the delicate threads that link people across oceans and continents, and how even small, everyday objects can hold the weight of memory, longing, and resilience.
    • Chudamani Clowes Glowing radioactive, tsunamis powerful waves, dissipates active, 2025 Mixed Media on Linen Flax 59 x 61 cm 23 1/4 x 24 in
      Chudamani Clowes
      Glowing radioactive, tsunamis powerful waves, dissipates active, 2025
      Mixed Media on Linen Flax
      59 x 61 cm
      23 1/4 x 24 in
    • Chudamani Clowes Fornication fierce, uncontrollable forces, sparkling, frothing foam, 2025 Mixed Media on Linen Flax 71 x 61 cm 28 x 24 in
      Chudamani Clowes
      Fornication fierce, uncontrollable forces, sparkling, frothing foam, 2025
      Mixed Media on Linen Flax
      71 x 61 cm
      28 x 24 in
    • Chudamani Clowes Urchins detonate, porcupine like hairy ball, fields of explosions, 2025 Mixed Media on Linen Flax 61 x 60 cm 24 x 23 5/8 in
      Chudamani Clowes
      Urchins detonate, porcupine like hairy ball, fields of explosions, 2025
      Mixed Media on Linen Flax
      61 x 60 cm
      24 x 23 5/8 in
    • Chudamani Clowes Thrashing splashing fins, sprinkling of sugar like dust, Micro diamonds floating, 2025 Mixed Media on Linen Flax 76 x 65 cm 29 7/8 x 25 5/8 in
      Chudamani Clowes
      Thrashing splashing fins, sprinkling of sugar like dust, Micro diamonds floating, 2025
      Mixed Media on Linen Flax
      76 x 65 cm
      29 7/8 x 25 5/8 in
  • Pradeep Thalawatta, Mothers on the Frontline Then and Now, 2025

    Pradeep Thalawatta

    Mothers on the Frontline Then and Now, 2025
    Pradeep Thalawatta leverages an economy rich with images etched into the public imagination. Photographs of the protest that circulated across the digital space become conduits through which the artist mediates conversations on class struggles and power structures. Pradeep Thalawatta engages with the Aragalaya as a site where collective voices congregated in unison to charter the vision for a new political narrative.
  • Hashan Cooray, Desire 07, 2020

    Hashan Cooray

    Desire 07, 2020

    Cooray’s self-portraits are an attempt at introspection. The images and writing aims to aggravate the senses leading to a further questioning of one's own conformity. Instinctive, fluid strokes are used to create many of the portraits resulting in a black form that resembles the face; to the artist these are his darkest, most questionable moments.

    • Hashan Cooray Untitled 03, 2020 Mixed Media on Paper 80 x 55 cm 31 1/2 x 21 5/8 in
      Hashan Cooray
      Untitled 03, 2020
      Mixed Media on Paper
      80 x 55 cm
      31 1/2 x 21 5/8 in
    • Hashan Cooray Untitled 06, 2021 Mixed Media on Paper 80 x 55 cm 31 1/2 x 21 5/8 in
      Hashan Cooray
      Untitled 06, 2021
      Mixed Media on Paper
      80 x 55 cm
      31 1/2 x 21 5/8 in
  • Ruwan Prasanna’s uplifting palette captures the buoyant mood evoked by the passing wind as it jostles playfully in Kaze No Iro. The work is a joyous celebration of the transient phenomenon of nature that makes itself visible as it ruffles tree leaves into wakefulness and stirs up dust to cause a commotion.
    • Ruwan Prasanna Kaze No Iro XXX, 2024 Acrylic on Canvas 183 x 183 cm 72 x 72 in
      Ruwan Prasanna
      Kaze No Iro XXX, 2024
      Acrylic on Canvas
      183 x 183 cm
      72 x 72 in
    • Ruwan Prasanna Kaze No Iro XXVII, 2024 Acrylic on Canvas 183 x 183 cm 72 x 72 in
      Ruwan Prasanna
      Kaze No Iro XXVII, 2024
      Acrylic on Canvas
      183 x 183 cm
      72 x 72 in
    • Sivasubramaniam Kajendran The Moon Under The Sea XIX, 2024 Oil on Canvas 105 x 75 cm 41 3/8 x 29 1/2 in
      Sivasubramaniam Kajendran
      The Moon Under The Sea XIX, 2024
      Oil on Canvas
      105 x 75 cm
      41 3/8 x 29 1/2 in
    • Sivasubramaniam Kajendran The Moon Under The Sea XXI, 2024 Oil on Canvas 105 x 75 cm 41 3/8 x 29 1/2 in
      Sivasubramaniam Kajendran
      The Moon Under The Sea XXI, 2024
      Oil on Canvas
      105 x 75 cm
      41 3/8 x 29 1/2 in
    • Sivasubramaniam Kajendran The Moon Under The Sea XX, 2024 Oil on Canvas 105 x 75 cm 41 3/8 x 29 1/2 in
      Sivasubramaniam Kajendran
      The Moon Under The Sea XX, 2024
      Oil on Canvas
      105 x 75 cm
      41 3/8 x 29 1/2 in
  • Sivasubramaniam Kajendran, The Moon Under The Sea III, 2025

    Sivasubramaniam Kajendran

    The Moon Under The Sea III, 2025

    The figure of the mother becomes a recurring motif, in Kajendran’s The Moon Under The Sea III The artist associates the mother figure with the nurturing waters of the ocean, a powerful yet maternal force. Kajendran notes the duality inherent in the sea itself: while a provider of life and sustenance akin to a mother, the ocean also has the capacity for destruction.

     
    • Anushiya Sundaralingam Passing 11, 2025 Inkjet Print on Hahnemühle Archival Paper 28.5 x 20.5 cm 11 1/4 x 8 1/8 in Single Edition Print
      Anushiya Sundaralingam
      Passing 11, 2025
      Inkjet Print on Hahnemühle Archival Paper
      28.5 x 20.5 cm
      11 1/4 x 8 1/8 in
      Single Edition Print
    • Anushiya Sundaralingam Passing 12, 2025 Inkjet Print on Hahnemühle Archival Paper 28.5 x 20.5 cm 11 1/4 x 8 1/8 in Single Edition Print
      Anushiya Sundaralingam
      Passing 12, 2025
      Inkjet Print on Hahnemühle Archival Paper
      28.5 x 20.5 cm
      11 1/4 x 8 1/8 in
      Single Edition Print
    • Anushiya Sundaralingam Passing 13, 2025 Inkjet Print on Hahnemühle Archival Paper 28.5 x 20.5 cm 11 1/4 x 8 1/8 in Single Edition Print
      Anushiya Sundaralingam
      Passing 13, 2025
      Inkjet Print on Hahnemühle Archival Paper
      28.5 x 20.5 cm
      11 1/4 x 8 1/8 in
      Single Edition Print
    • Anushiya Sundaralingam Passing 14, 2025 Inkjet Print on Hahnemühle Archival Paper 28.5 x 20.5 cm 11 1/4 x 8 1/8 in Single Edition Print
      Anushiya Sundaralingam
      Passing 14, 2025
      Inkjet Print on Hahnemühle Archival Paper
      28.5 x 20.5 cm
      11 1/4 x 8 1/8 in
      Single Edition Print
    • Anushiya Sundaralingam Passing 15, 2025 Inkjet Print on Hahnemühle Archival Paper 28.5 x 20.5 cm 11 1/4 x 8 1/8 in Single Edition Print
      Anushiya Sundaralingam
      Passing 15, 2025
      Inkjet Print on Hahnemühle Archival Paper
      28.5 x 20.5 cm
      11 1/4 x 8 1/8 in
      Single Edition Print
    • Anushiya Sundaralingam Passing 16, 2025 Inkjet Print on Hahnemühle Archival Paper 28.5 x 20.5 cm 11 1/4 x 8 1/8 in Single Edition Print
      Anushiya Sundaralingam
      Passing 16, 2025
      Inkjet Print on Hahnemühle Archival Paper
      28.5 x 20.5 cm
      11 1/4 x 8 1/8 in
      Single Edition Print
  • Arjuna Gunarathne, Mother and Children , 2024

    Arjuna Gunarathne

    Mother and Children , 2024

    The content solitude that emerges in the company of loved ones comes through in Gunarathne’s family portraits. His loved ones float in space untethered to the reality outside, like figures in the tradition of East Asian art. Even in their preoccupations, they seek comfort in each other's presence and are held close to each other by an invisible twine. This very private world becomes visible to us through a patchwork of translucent, coloured candy wrappers also reminiscent of the warmth and comfort of patterned quilts.

    • Arjuna Gunarathne Hang in There l, 2023 Mixed Media on Paper 42cm x 58cm 16 1/2 x 22 7/8 in
      Arjuna Gunarathne
      Hang in There l, 2023
      Mixed Media on Paper
      42cm x 58cm
      16 1/2 x 22 7/8 in
    • Arjuna Gunarathne Hang in There ll, 2023 Mixed Media on Paper 42cm x 58cm 16 1/2 x 22 7/8 in
      Arjuna Gunarathne
      Hang in There ll, 2023
      Mixed Media on Paper
      42cm x 58cm
      16 1/2 x 22 7/8 in
  • Shaanea Mendis, Network, 2025

    Shaanea Mendis

    Network, 2025
    Mendis saturates her watercolours with vivid hues of green, yellow and pink, creating a biotic structure where mythos and memory converge. The cities Mendis has called home – Colombo, Mumbai, Singapore and Copenhagen – layer into her compositions like sediment, surfacing as the urban skyline amid the cellular forms and neural junctions. These landscapes hint at both a sense of rootedness and dislocation, evocative of tension between personal history and the places we inhabit.
    • Shaanea Mendis Greenwash I, 2025 Watercolour and Gold Leaf on Paper 30 x 42 cm 11 3/4 x 16 1/2 in
      Shaanea Mendis
      Greenwash I, 2025
      Watercolour and Gold Leaf on Paper
      30 x 42 cm
      11 3/4 x 16 1/2 in
    • Shaanea Mendis Greenwash IV, 2025 Watercolour on Paper 30 x 42 cm 11 3/4 x 16 1/2 in
      Shaanea Mendis
      Greenwash IV, 2025
      Watercolour on Paper
      30 x 42 cm
      11 3/4 x 16 1/2 in