Muvindu Binoy’s work is a combination of his generational outlook combined with his influences of filmography and the captured image. In this, his second consecutive solo exhibition, Binoy continues to observe imagery of religion, consumerism and Generation Y. His collage work combines imagery taken from both vintage and contemporary culture, the intended juxtaposition of these times become a stronger representation of the emphasis he wishes to place on his observations of the now. Divine Thru plays on two phrases, Drive Thru and Divine Truth. The former implies the ease of access to commercialism and the latter – the search for a meaning of life. Binoy’s method is a removed narrative in which he chooses to allow the audience to find their own ‘truth’ to each work.